Point of view in arts, being an artist, and the roles that an artist plays in the society
NSB: How do you view your art and how do you define art? Is it just confined to self-expression and/or gratification?
MCC: First, I would like to say that I am thankful that I am able to show my art at this particular time of my life when I have grown to be the activist that I am. Though I would not want to label my art as social realism because I am afraid of the expectations one is burdened with when labeled as such, I think I can say that I am resolved to create art that tackles the masses’ struggle against those who oppress them. I have nothing against artists who make art for self-expression. I think that phase is natural at some point in an artist’s life, and I am hopeful that there is also a point where an artist showcases content that is beyond it, that there would be a time in their lives where they would devote their art to an advocacy and/or the further advancement of art in the country.
NSB: How do you assess the art industry in the country?
MCC: I think art industry in the Philippines has a lot of potential. Even in the early times, we had proven that we are rich in talent. We have skills and talents that are recognized by the world. I just wish that there would be more advanced ways of preserving artworks, more art historians, more published local art books, more art and cultural education for the masses, and more recognition for our local artists, and art and culture exposure that reaches beyond the metro.
Kompo by Con Cabrera
Critique on issues affecting culture and the arts
NSB: What are your views about…
(a) Globalization and its effects on arts and the art industry as a whole?
MCC: Art is becoming a commercialized industry, it is affected by the crisis because it lowers the demand for art selling. But then again, it becomes rich in inspiration and I wish more artists look at it from this perspective to make them create more art that is socially relevant and that depicts the present situation of the country, more as painting history.
(b) Philippine social realities and its connection to propagation and development of arts and culture?
MCC: It is an unfortunate fact that culture and the arts are not a priority of the government that is why everything’s backward. “Spoliarium” is the only restored painting we have and it is unacceptable that our art will be lost in a matter of time if we do nothing about it. Art is an important part of our culture and it needs preservation.
(c) Role of an artist in developing national and social consciousness?
MCC: Art is part of making and writing of history and for that, it is our responsibility as artists to bring upfront more socially relevant contents in our works. Works that don’t only mirror social reality but also has a call for change.
(d) The “liberalization” and “Westernization” of arts?
MCC: Though westernization had opened us to exposure to more style and art forms, it also has set a benchmark for art to carry on what is “globally accepted”, leading us to forget to maximize and utilize what is our own culture and art.